maybe you were right

maybe you were right

maybe you get so used
to feeling trapped that
you don't see a way out, that
when the worst happens,
you stay fairly balanced
because you expected it

you throw away / push away /
give away / let go of /
sully / abandon
that which can lead
to other ways of being
because you no longer believe
things can be different

come up for air

breathe

imagine unicorns and rainbows
and flowers in bloom

breathe

imagine a world full
of butterflies,
bumblebees and hummingbirds

breathe

go back to the time
when there was dancing
in the rain

breathe

stay there
for as long as you need

breathe

give me dreams

give me dreams
such as make you laugh
as you sleep
and smile
as you wake

The Sign of Jonah

Jonah was a fisherman.
The Lord said to Jonah, "Go there."
Jonah said, "No.
I am a fisherman.
I know where the fish are.
There's where I go."

The Lord sulked.

Jonah was a fisherman.
He took his boat to sea, to go
where the fish were. Halfway there,
The Lord raised a big storm,
Broke Jonah's boat
And drowned Jonah -

Or, so The Lord thought.

But ... er ... Jonah was a fish ...
er ... man. Jonah turned into a big fish
And swam to shore.

Not to be out done, The Lord made tell
how he'd told Jonah, "Go there"
and Jonah'd said, No
And how he, The Lord
had cooked up a big storm,
and broke Jonah's boat,
And how he, The Lord,
had sent a big fish to save Jonah
And how the big fish had taken Jonah
To the place he, The Lord,
Had said to Jonah, "Go to this place."

Stephen Crane Imagines Hamsters

A hamster said to the Universe,
"Sir, I'm on a treadmill!"
"You are a hamster," the Universe replied,
"What did you expect?"

Leicester: an Extraordinary City?

A few years ago, Fiona Allan, the then Curve Theatre director, gave a TEDx Talk titled, "Leicester: a City of Culture".

The speech remains as relevant today as when it was first given because it shows part of how people who have an interest in the city and in the arts view what is happening here, what the city has to offer, and what needs to improve.

In her speech, Allan's main criticism seems to be that there is a mismatch between the way the city talks about itself and how others perceive it. As examples, she cites a Labour Party manifesto that describes Leicester as a City of Festivals and another document that describes Leicester's Diwali celebrations as "world famous", and she suggests that these descriptions are either exaggerations or hyperbole.

However, while there are a number of places around the world that are defined by or known for or associated with a particular large scale festival that takes place there, part of what makes Leicester different is precisely that many things of various sizes are happening at more or less the same time such that no one festival defines the city.

What Allan calls 'volume' or 'quantity' is actually a plurality of festivals. This plurality is part of what makes Leicester a City of Festivals. The plurality is a good for the city because, among other things, it means there is activity all round the year around the arts in Leicester. The plurality and activity also creates more opportunities to create, experience and take part in arts-related initiatives for more people than would happen were Leicester a mono-festival city.

Running through Allan's commentary is the observation that much of what happens in Leicester is hidden or not known beyond the city.

While I agree with that observation, I dispute Allan's suggest that this relative invisibility is because what is happening in this city is not good enough to garner national or international attention. Instead, I suggest that the relative invisibility is because of a number of factors, one of which has to do with how London-centric media coverage and promotion of the arts in Britain is.

Allan proposes the city can enthuse others about what is happening around the arts in Leicester if it improves the way it talks about itself. At the same time as I agree with Allan, I would also say the city is trying to do just that and that as part of those efforts, the city ought to set up a dedicated arts and culture research and publicity team that, among other things, maps, documents and spreads the word about arts-related activity taking place in and around Leicester.

Talking to a friend about all this, a few days ago, we agreed that another thing the city could do is draw on its strength - its plurality, diversity, internationalism or how there is someone from everywhere who calls this city home - and start having conversations with its population's source villages, towns, cities and countries about the extraordinary things that are happening in Leicester.

clouds on fire

we wandered
through back streets
and over manicured fields
clouds on fire

tea and biscuits

Have I told you
I keep meaning
to invite you
for tea and biscuits
and then
the day gets filled
with things to do
and I close my eyes
and it is the next day
and we haven't talked
about tea and biscuits?

The things Theresa touches

The things Theresa touches
wilt,
rot
and die

She laughs

lisping
with a forked tongue

dancing round the bonfire
of fractured hopes

archives

create
curate
archive
         past hurts

take them out
         often
display
clutch
scrap
scratch
twist them
   until they hurt

archive them

repeat

unicorns and rainbows

1.
under the right conditions
donkeys will turn into unicorns

2.
rainbows are created
when unicorns fart

butterflies dream

dreams
that smell like hope
and taste
like tomorrow
on wings
                 just
                         out
                                of reach

as leaves fall
                        a tension
              in the air

an invitation

against a fence
by the footpath
a box of early windfall apples
and an invitation

Photo (c) Louise Sings.

How to Let Go in 5 Easy Steps

1. Go outside.
2. Fill a balloon with helium.
3. Tie the end with a piece of string.
4. Tie a thought to the string.
5. Let it go.

I, Magician

Standing still
I jump in eight directions
at once

With hands
tied behind my back
I embrace galaxies

Dancing
I light fires
with my feet

anchoring

feet firmly
on the pulse of space

listening
centering
anchoring
attuning

floating

free

because you were there

You didn't see how,
because you were there,
the room lit up?

You didn't hear how,
because you were there,
there was music all around us?

the way home

journeying
didn't we meet
in the room at the top of the inn?

didn't the music flow from person to person
and swirl around the room
and flow some more?

didn't the music
show us the way home?

didn't the music show us
we were home?